| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Cantata on Mediaeval Latin Texts |
| Composed: |
1964 |
| Duration: |
7' |
| Instrumentation/Scoring: |
counter-tenor/flute/oboe/bassoon |
| |
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| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Hymn to Venus |
| Composed: |
1966 |
| Duration: |
15' |
| Instrumentation/Scoring: |
mezzo soprano and piano |
| |
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|
| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Five Sonnets or John Donne |
| Composed: |
1967 |
| Duration: |
21' |
| Instrumentation/Scoring: |
soprano/mezzo-soprano/flute/oboe/clarinet (d bass clarinet)/horn/piano/timpani/cello |
| |
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|
| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Songs of Mary |
| Composed: |
1970 |
| Duration: |
12' |
| Instrumentation/Scoring: |
mezzo-soprano/viola/piano |
| |
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|
| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
At the Round Earth's Imagined Corners |
| Composed: |
1971 |
| Duration: |
5' |
| Instrumentation/Scoring: |
soprano/trumpet(opt)/organ |
| |
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| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Worldës Blissë |
| Composed: |
1971 |
| Duration: |
6' |
| Instrumentation/Scoring: |
counter-tenor and oboe |
| First performance: |
1971 |
| By: |
Kevin Smith & Tamara Coates |
| Performance Place: |
Little Missenden Festival |
| |
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|
| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Threnody |
| Composed: |
1971 |
| Duration: |
12' |
| Instrumentation/Scoring: |
tenor/piano/harpsichord (amplified) |
| First performance By: |
Ian Partridge, Neil Saunders & Richard Drakeford |
| Performance Place: |
Little Missenden Festival |
| |
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|
| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
This Endris Night |
| Composed: |
1972+ |
| Duration: |
30' |
| Instrumentation/Scoring: |
tenor/women's chorus/brass ensemble/timpani |
| |
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| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
This Ean Night |
| Composed: |
1972 |
| Duration: |
3' |
| Instrumentation/Scoring: |
2 counter-tenors |
| Revised for: |
an EMI record |
| Performed by: |
James Bowman and Charles Brett (counter-tenors) |
| |
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| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Dira vi amores terror |
| Composed: |
1973 |
| Duration: |
3' |
| Instrumentation/Scoring: |
counter-tenor solo |
| |
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| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Lunar Beauty |
| Composed: |
1986 |
| Duration: |
12' |
| Instrumentation/Scoring: |
medium voice and guitar (version for voice and lute available) |
| Commissioned by: |
Nigel Perrin |
| First performance: |
9th August 1986 |
| By: |
Nigel Perrin (counter-tenor) and David Parsons (lute) |
| Performance Place: |
Christ Church, Harrogate - Harrogate Festival |
| |
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|
| Type: |
CHAMBER MUSIC WITH VOICES |
| Title: |
Nearing the Upper Air |
| Composed: |
1988 |
| Duration: |
10' |
| Instrumentation/Scoring: |
counter-tenor, 2 recorders, cello and harpsichord |
| Commissioned by: |
The Stour Music Festival |
| Words extracted from: |
Cecil Day Lewis's |
| Translation of: |
Virgil's Georgics |
| |
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