| Type: | CHAMBER MUSIC |
| Title: | Six Studies |
| Composed: | 1980 |
| Duration: | 14′ |
| Instrumentation/Scoring: | cello solo |
| By: | Julian Lloyd Webber |
| Performance Place: | Portsmouth Festival |
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| Type: | CHORAL MUSIC |
| Title: | Laudate Dominum |
| Composed: | 1980 |
| Duration: | 6′ |
| Instrumentation/Scoring: | SATB/organ |
| First performance: | 1980 |
| Performance Place: | Worcester Cathedral |
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1981
| Type: | ORCHESTRAL MUSIC WITH VOICES |
| Title: | Hymn to St. Thomas of Hereford |
| Composed: | 1981 |
| Duration: | 13′ |
| Instrumentation/Scoring: | SATB chorus + 2fl/2ob(1d ca)/2bsn/3hn/2tpt/3tbn/timp/perc/strings alternative version for organ and optional timps available |
| First performance: | 22nd August 1982 |
| By: | City of Birmingham Symphony Orchestra and the Three Choirs Festival Chorus |
| Conducted by: | Roy Massey |
| Performance Place: | Hereford Cathedral, Three Choirs Festival |
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1982
| Type: | DRAMATIC WORKS |
| Title: | Orpheus |
| Composed: | 1982 |
| Duration: | 55′ |
| Instrumentation/Scoring: | sop/ten/bass/TB chorus fl(d picc)/cl(d bcl)/hn/perc/hp/strings |
| First performance: | 17th July 1982 |
| By: | Wells Cathedral School Choir and Orchestra with Chetham’s School Orchestra |
| Conducted by: | The composer |
| Performance Place: | Wells Cathedral |
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| Type: | ORCHESTRAL MUSIC |
| Title: | Brideshead Variations * |
| Composed: | 1982 |
| Duration: | 18′ |
| Instrumentation/Scoring: | fi(d picc)/ob(d ca)/bsn/hn/tpt/hp/strings |
| First performance: | 21st March 1982 |
| By: | New Symphony Orchestra |
| Conducted by: | Antony Hopkins |
| Performance Place: | Royal Albert Hall, London |
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| (* this work is also available for brass band – three | |
| variations only – and concert band – four variations | |
| only – and the ‘Brideshead Revisited’ theme is | |
| available for brass band. All arrangements are by | |
| Bram Wiggins.) | |
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| Type: | KEYBOARD MUSIC |
| Title: | Theme from Brideshead Revisited |
| Composed: | 1982 |
| Duration: | 2′ |
| Instrumentation/Scoring: | arranged for piano solo |
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1983
| Type: | ORCHESTRAL MUSIC WITH VOICES |
| Title: | The World Again |
| Composed: | 1983 |
| Duration: | 23′ |
| Instrumentation/Scoring: | sop + 3fl(2d picc)/3ob(1d ca)/3cl(1d bcl)/3bsn( 1d cf)/4hn/3tpt/3tbn/tba/timp 4perc/hp/pno/strings |
| First performance: | 9th October 1984 |
| By: | Royal Philharmonic Orchestra with Jane Manning (soprano) |
| Conducted by: | Andrew Litton |
| Performance Place: | Royal Festival Hall, London |
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|
| Type: | CHORAL MUSIC |
| Title: | But Have Been Found Again |
| Composed: | 1983 |
| Duration: | 7′ |
| Instrumentation/Scoring: | SAATTBB |
| First performance: | 1983 |
| By: | combibned cathedral choirs |
| Conducted by: | David Willcocks |
| Performance Place: | Southern Cathedrals Festival |
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1984
| Type: | ORCHESTRAL MUSIC WITH VOICES |
| Title: | Mass |
| Composed: | 1984 |
| Duration: | 40′ |
| Instrumentation/Scoring: | chorus (ATBB)/4tbn/perc |
| First performance: | Spring 1985 |
| By: | London Contemporary Dance Theatre |
| Performance Place: | BBC TV |
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|
| Type: | BALLET MUSIC |
| Title: | Mass |
| Composed: | 1984 |
| Duration: | 40′ |
| Instrumentation/Scoring: | ATBB chorus + 4tbn/perc (percussionist is required to play inside a piano) |
| First performance: | Spring 1985 |
| Choreographed By: | Robert Cohan |
| By: | London Contemporary Dance Theatre |
| Performance Place: | BBC TV |
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|
| Type: | CHAMBER MUSIC |
| Title: | Little Missenden Variation |
| Composed: | 1984 |
| Duration: | 5′ |
| Instrumentation/Scoring: | cor anglais/clarinet/bassoon/horn |
| Commissioned by: | The Little Missenden Festival |
| First performance: | 13th October 1984 |
| By: | Endymion Ensemble |
| Performance Place: | Little Missenden Parish Church |
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|
| Type: | CHORAL MUSIC |
| Title: | A God and Yet a Man |
| Composed: | 1984 |
| Duration: | 2′ |
| Instrumentation/Scoring: | SSAATTBB |
| Written for: | The Chester Music Carol Book |
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|
1985
| Type: | CHAMBER MUSIC |
| Title: | Fanfare |
| Composed: | 1985 |
| Duration: | 3′ |
| Instrumentation/Scoring: | horns/trumpets/trombones/tuba |
| Commissioned by: | The Union Discount Company |
| First performance: | Ist May 1985 |
| By: | Members of the London Symphony Orchestra |
| Performance Place: | Barbican Centre, London |
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|
| Type: | CHORAL MUSIC |
| Title: | The Names of the Hare |
| Composed: | 1985 |
| Duration: | 4′ |
| Instrumentation/Scoring: | SATB |
| Commissioned by: | The Milton Keynes Chorale |
| First performance: | 14th June 1986 |
| By: | Milton Keynes Chorale |
| Conducted by: | Neville Creed |
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|
|
| Type: | KEYBOARD MUSIC |
| Title: | Brideshead Variations |
| Composed: | 1985 |
| Duration: | 18′ |
| Instrumentation/Scoring: | arranged for organ solo by EriC Weatherall |
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|
|
1986
| Type: | ORCHESTRAL MUSIC WITH VOICES |
| Title: | Title Divine |
| Composed: | 1986 |
| Duration: | 20′ |
| Instrumentation/Scoring: | solo soprano + 3(2d picc).3(3d ca).3(1d bcl.3(3d cf)/4.3.3.1/timps/2perc hp/pno(d cel)/strings |
| Commissioned by: | The Royal Philharmonic Society |
| First performance: | 22nd April 1987 |
| By: | Royal Philharmonic Orchestra with Heather Harper |
| Conducted by: | Sir Charles Mackerras |
| Performance Place: | Royal Festival Hall, London |
| View composition by Title Type Performance Date, or Performance Place | |
|
|
| Type: | CHAMBER MUSIC WITH VOICES |
| Title: | Lunar Beauty |
| Composed: | 1986 |
| Duration: | 12′ |
| Instrumentation/Scoring: | medium voice and guitar (version for voice and lute available) |
| Commissioned by: | Nigel Perrin |
| First performance: | 9th August 1986 |
| By: | Nigel Perrin (counter-tenor) and David Parsons (lute) |
| Performance Place: | Christ Church, Harrogate – Harrogate Festival |
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|
| Type: | INCIDENTAL MUSIC |
| Title: | Macbeth |
| Composed: | 1986 + |
| Music for: | The Royal Shakespeare Company |
| First performance: | 1986 |
| Performance Place: | Stratford-on-Avon |
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|
1987
| Type: | CHORAL MUSIC |
| Title: | The Song of the Creatures |
| Composed: | 1987 |
| Duration: | 12′ |
| Instrumentation/Scoring: | SATB/organ |
| Commissioned by: | St. Matthew’s Church Northampton |
| First performance: | 21st September 1987 |
| By: | Choir of St. Matthew’s Church |
| Conducted by: | Andrew Shenton |
| View composition by Title Type or Performance Date, | |
|
|
| Type: | INCIDENTAL MUSIC |
| Title: | Murder in the Cathedral |
| Composed: | 1987 + |
| Performance by: | Music for the National Youth Theatre |
| Production of: | TS Eliot’s play |
| First performance: | 1987 |
| Performance Place: | Spitalfields |
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|
1988
| Type: | ORCHESTRAL MUSIC |
| Title: | The Trial of Prometheus |
| Composed: | 1988 |
| Duration: | 25′ |
| Instrumentation/Scoring: | 2+picc.2+ca.3(1d Eb, 1d bcl).2+cf 4.3.2+btbn. 1/3perc/timps/hp/piano/strings |
| First performance: | 20th October 1988 |
| By: | Royal Ballet and Orchestra of the Royal Opera House |
| Conducted by: | Isaiah Jackson |
| Performance Place: | Royal Opera House, Covent Garden |
| Choreography by: | David Bintley |
| View composition by Title Type Performance Date, or Performance Place | |
|
|
| Type: | CHAMBER MUSIC WITH VOICES |
| Title: | Nearing the Upper Air |
| Composed: | 1988 |
| Duration: | 10′ |
| Instrumentation/Scoring: | counter-tenor, 2 recorders, cello and harpsichord |
| Commissioned by: | The Stour Music Festival |
| Words extracted from: | Cecil Day Lewis’s |
| Translation of: | Virgil’s Georgics |
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|
|
| Type: | KEYBOARD MUSIC |
| Title: | Aslan’s Theme from The Chronicles of Narnia |
| Composed: | 1988 |
| Duration: | 2′ |
| Instrumentation/Scoring: | arranged for simple piano solo |
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|
|
| Type: | INCIDENTAL MUSIC |
| Title: | Blood Wedding |
| Composed: | 1988 |
| Performance by: | The National Youth Theatre |
| First performance: | 1988 |
| Performance Place: | Bloomsbury Theatre |
| Production of: | Federico Garcia Lorca’s play |
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|
1989
| Type: | CHORAL MUSIC |
| Title: | Prayer to St. Richard |
| Composed: | 1989 |
| Duration: | 2′ |
| Instrumentation/Scoring: | SATB choir |
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|
|
| Type: | CHORAL MUSIC |
| Title: | Songs of the Creation |
| Composed: | 1989 |
| Duration: | 25′ |
| Instrumentation/Scoring: | SATB chorus and organ |
| Commissioned by: | The Southern Cathedrals Festival |
| First performance: | 1989 |
| Performance Place: | Chichester Cathedral |
| View composition by Title Type Performance Date, or Performance Place | |
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One Response to 1980s