1980s


Type: CHAMBER MUSIC
Title: Six Studies
Composed: 1980
Duration: 14′
Instrumentation/Scoring: cello solo
By: Julian Lloyd Webber
Performance Place: Portsmouth Festival
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Type: CHORAL MUSIC
Title: Laudate Dominum
Composed: 1980
Duration: 6′
Instrumentation/Scoring: SATB/organ
First performance: 1980
Performance Place: Worcester Cathedral
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1981

Type: ORCHESTRAL MUSIC WITH VOICES
Title: Hymn to St. Thomas of Hereford
Composed: 1981
Duration: 13′
Instrumentation/Scoring: SATB chorus + 2fl/2ob(1d ca)/2bsn/3hn/2tpt/3tbn/timp/perc/strings alternative version for organ and optional timps available
First performance: 22nd August 1982
By: City of Birmingham Symphony Orchestra and the Three Choirs Festival Chorus
Conducted by: Roy Massey
Performance Place: Hereford Cathedral, Three Choirs Festival
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1982


Type: DRAMATIC WORKS
Title: Orpheus
Composed: 1982
Duration: 55′
Instrumentation/Scoring: sop/ten/bass/TB chorus fl(d picc)/cl(d bcl)/hn/perc/hp/strings
First performance: 17th July 1982
By: Wells Cathedral School Choir and Orchestra with Chetham’s School Orchestra
Conducted by: The composer
Performance Place: Wells Cathedral
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Type: ORCHESTRAL MUSIC
Title: Brideshead Variations *
Composed: 1982
Duration: 18′
Instrumentation/Scoring: fi(d picc)/ob(d ca)/bsn/hn/tpt/hp/strings
First performance: 21st March 1982
By: New Symphony Orchestra
Conducted by: Antony Hopkins
Performance Place: Royal Albert Hall, London
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(* this work is also available for brass band – three
variations only – and concert band – four variations
only – and the ‘Brideshead Revisited’ theme is
available for brass band. All arrangements are by
Bram Wiggins.)
Type: KEYBOARD MUSIC
Title: Theme from Brideshead Revisited
Composed: 1982
Duration: 2′
Instrumentation/Scoring: arranged for piano solo
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1983


Type: ORCHESTRAL MUSIC WITH VOICES
Title: The World Again
Composed: 1983
Duration: 23′
Instrumentation/Scoring: sop + 3fl(2d picc)/3ob(1d ca)/3cl(1d bcl)/3bsn( 1d cf)/4hn/3tpt/3tbn/tba/timp 4perc/hp/pno/strings
First performance: 9th October 1984
By: Royal Philharmonic Orchestra with Jane Manning (soprano)
Conducted by: Andrew Litton
Performance Place: Royal Festival Hall, London
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Type: CHORAL MUSIC
Title: But Have Been Found Again
Composed: 1983
Duration: 7′
Instrumentation/Scoring: SAATTBB
First performance: 1983
By: combibned cathedral choirs
Conducted by: David Willcocks
Performance Place: Southern Cathedrals Festival
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1984


Type: ORCHESTRAL MUSIC WITH VOICES
Title: Mass
Composed: 1984
Duration: 40′
Instrumentation/Scoring: chorus (ATBB)/4tbn/perc
First performance: Spring 1985
By: London Contemporary Dance Theatre
Performance Place: BBC TV
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Type: BALLET MUSIC
Title: Mass
Composed: 1984
Duration: 40′
Instrumentation/Scoring: ATBB chorus + 4tbn/perc (percussionist is required to play inside a piano)
First performance: Spring 1985
Choreographed By: Robert Cohan
By: London Contemporary Dance Theatre
Performance Place: BBC TV
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Type: CHAMBER MUSIC
Title: Little Missenden Variation
Composed: 1984
Duration: 5′
Instrumentation/Scoring: cor anglais/clarinet/bassoon/horn
Commissioned by: The Little Missenden Festival
First performance: 13th October 1984
By: Endymion Ensemble
Performance Place: Little Missenden Parish Church
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Type: CHORAL MUSIC
Title: A God and Yet a Man
Composed: 1984
Duration: 2′
Instrumentation/Scoring: SSAATTBB
Written for: The Chester Music Carol Book
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1985


Type: CHAMBER MUSIC
Title: Fanfare
Composed: 1985
Duration: 3′
Instrumentation/Scoring: horns/trumpets/trombones/tuba
Commissioned by: The Union Discount Company
First performance: Ist May 1985
By: Members of the London Symphony Orchestra
Performance Place: Barbican Centre, London
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Type: CHORAL MUSIC
Title: The Names of the Hare
Composed: 1985
Duration: 4′
Instrumentation/Scoring: SATB
Commissioned by: The Milton Keynes Chorale
First performance: 14th June 1986
By: Milton Keynes Chorale
Conducted by: Neville Creed
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Type: KEYBOARD MUSIC
Title: Brideshead Variations
Composed: 1985
Duration: 18′
Instrumentation/Scoring: arranged for organ solo by EriC Weatherall
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1986


Type: ORCHESTRAL MUSIC WITH VOICES
Title: Title Divine
Composed: 1986
Duration: 20′
Instrumentation/Scoring: solo soprano + 3(2d picc).3(3d ca).3(1d bcl.3(3d cf)/4.3.3.1/timps/2perc hp/pno(d cel)/strings
Commissioned by: The Royal Philharmonic Society
First performance: 22nd April 1987
By: Royal Philharmonic Orchestra with Heather Harper
Conducted by: Sir Charles Mackerras
Performance Place: Royal Festival Hall, London
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Type: CHAMBER MUSIC WITH VOICES
Title: Lunar Beauty
Composed: 1986
Duration: 12′
Instrumentation/Scoring: medium voice and guitar (version for voice and lute available)
Commissioned by: Nigel Perrin
First performance: 9th August 1986
By: Nigel Perrin (counter-tenor) and David Parsons (lute)
Performance Place: Christ Church, Harrogate – Harrogate Festival
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Type: INCIDENTAL MUSIC
Title: Macbeth
Composed: 1986 +
Music for: The Royal Shakespeare Company
First performance: 1986
Performance Place: Stratford-on-Avon
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1987


Type: CHORAL MUSIC
Title: The Song of the Creatures
Composed: 1987
Duration: 12′
Instrumentation/Scoring: SATB/organ
Commissioned by: St. Matthew’s Church Northampton
First performance: 21st September 1987
By: Choir of St. Matthew’s Church
Conducted by: Andrew Shenton
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Type: INCIDENTAL MUSIC
Title: Murder in the Cathedral
Composed: 1987 +
Performance by: Music for the National Youth Theatre
Production of: TS Eliot’s play
First performance: 1987
Performance Place: Spitalfields
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1988


Type: ORCHESTRAL MUSIC
Title: The Trial of Prometheus
Composed: 1988
Duration: 25′
Instrumentation/Scoring: 2+picc.2+ca.3(1d Eb, 1d bcl).2+cf 4.3.2+btbn. 1/3perc/timps/hp/piano/strings
First performance: 20th October 1988
By: Royal Ballet and Orchestra of the Royal Opera House
Conducted by: Isaiah Jackson
Performance Place: Royal Opera House, Covent Garden
Choreography by: David Bintley
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Type: CHAMBER MUSIC WITH VOICES
Title: Nearing the Upper Air
Composed: 1988
Duration: 10′
Instrumentation/Scoring: counter-tenor, 2 recorders, cello and harpsichord
Commissioned by: The Stour Music Festival
Words extracted from: Cecil Day Lewis’s
Translation of: Virgil’s Georgics
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Type: KEYBOARD MUSIC
Title: Aslan’s Theme from The Chronicles of Narnia
Composed: 1988
Duration: 2′
Instrumentation/Scoring: arranged for simple piano solo
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Type: INCIDENTAL MUSIC
Title: Blood Wedding
Composed: 1988
Performance by: The National Youth Theatre
First performance: 1988
Performance Place: Bloomsbury Theatre
Production of: Federico Garcia Lorca’s play
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1989


Type: CHORAL MUSIC
Title: Prayer to St. Richard
Composed: 1989
Duration: 2′
Instrumentation/Scoring: SATB choir
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Type: CHORAL MUSIC
Title: Songs of the Creation
Composed: 1989
Duration: 25′
Instrumentation/Scoring: SATB chorus and organ
Commissioned by: The Southern Cathedrals Festival
First performance: 1989
Performance Place: Chichester Cathedral
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